May 172013
 

Ali Matthews PicAward winning singer/songwriter Ali Matthews will be at Write! Canada this June. She is teaching a continuing class and a workshop as well as sitting on the “Song Demo” panel and giving a keynote address.

Ali, when did you first begin to write songs?

In my early teens I picked up guitar and started singing songs. It didn’t take long for this passion to evolve into my early songwriting efforts. In Grade 10, I wrote a song based on J.D. Salinger’s novel Catcher in the Rye. That’s when I remember thinking that this might be something I could be good at.

Tell us about your musical development.

I had quite a bit of musical training as a child. I learned to read music at a young age and was involved in several choirs and orchestras. I played flute and piano as a child and later took up guitar. Even so, I didn’t really pursue musical performance and theory as much as I pursued writing. I was an English and Drama major in university.

God has called you to write, sing, and play for Him as your way of sharing His love with others. How has your work impacted others?

It is always amazing to me how God uses one of my songs to encourage, comfort, or inspire someone else. A song will help to heal my wounds and uplift me in some way, but then it will go on its own journey and touch others in the same way.

What advice do you have for someone starting out in a music ministry?

My advice to aspiring artists is to stay grounded and pursue humility. Grow where you are planted, in your local community, your family, your church. I see too many talented artists who strive to achieve fame and success, only to end up feeling like they have failed. The true value of our art is in the moment-to-moment obedience to God’s calling.

When people sign up to take your Continuing Class in song writing, what do you hope they will take away from this course?

My hope is that they will go forth with a true songwriter’s consciousness. This means they will find inspiration and song potential all around them and will be intentional in receiving those gifts and pursuing the work. They will leave this course with skills, tools, techniques, and tricks, but my biggest goal is to encourage them to be bold and intentional with the artistic heart God has given them.

Is there anything else that you would like to share with us?

I desire to write songs that connect us with each other, songs that tap into our hopes and heartaches, our fears and passions, the things that make us vulnerable, the things that tell us we are alive. I see a dark and broken world in desperate need of mercy and compassion and I am compelled to create music that will draw us closer to grace, to each other, and to our Creator.

Ali Matthews

Ali was interviewed by Jenny Burr of the Write Canada PR team.

 

May 122013
 

Actor Dennis Hassell.2011

Dennis Hassell (with Imago’s Green Ink Project) is an internationally recognized faith-based scriptwriter.

He will be one of the keynote speakers at Write! Canada 2013.

 

Dennis, by way of introduction, tell us about your faith journey and how God led you to where you are today.

I grew up an “Angloholic” in BC to age 12, then switched to First Baptist Vernon.

Timeline? Bible School, evangelistic street theatre, mainstage Christian theatre, Hon. BA in Drama (University of Alberta), marriage, 17 years as the founding artistic director of Brookstone Theatre Toronto, last 8 years as a freelance script writer with some teaching and producing thrown in. My wife is proof God is good and He loves me.

How did God lead me?

I don’t think God leads us to a linear goal like a mountaintop, as much as God leads us in a dance, to perform with Him. 1-2-3, 1-2-3, 1-2 . . . Well, God sure tries to lead me, but I step on His toes—a lot. 1-2-3, 1-2—agh!. I’ll get it. Just a few more decades, I’ll be dancing with the stars. 1-2-3, 1-2-3 . . .

Your company, DHP (Dennis Hassell Productions) is based in Toronto and tours across North America. What is this ministry all about and how successful has it been?

DHP is all about telling stories that help folks understand the kingdom of God in their world and in their lives.

Successful? Tonight I was asked by my coach if I saw my career path as a bowl of cherries or trial by fire. I blurted out “Cherries Jubileee” (flambéed).

I can’t determine if we are being successful, but we are being faithful. And we are busy. Scripts are being produced in 11 countries in four languages. Next month, our new website launches with perusal scripts for theatres, churches, colleges, and high schools.

You will be one of the keynote speakers at Write Canada 2013. What is the title of your presentation and what can conference attendees expect from this presentation?

The title is “Breathe.” I’ll be presenting principles of faith-based writing illuminated by stories themselves. Attendees can expect to be stimulated, affirmed, and challenged, which is my personal definition of what Christian community does.

Besides being a scriptwriter, you are also an actor and conduct workshops and one-man shows. How effective is drama in communicating the gospel?

In crude and explicit ways, drama is not necessary. If you want to simply preach, then preach. But if you want to speak in parables . . .

Christians too often use drama as a tool, like using a violin to prop a window open. Non-Christians effectively convey tons of worldview values and messages without being explicit or crude. It’s a tsunami of medium/message, from a toxic sea, and our response must be creative, not didactic.

What advice do you have for anyone considering becoming a scriptwriter? Where would such a person start and what qualifications would he or she need?

As Goethe said, "The way to start is to start."

A scriptwriter needs to see, hear, and feel the scenes and the people in them, and then write them down.

A scriptwriter needs to put herself into the scene and into the characters—even the villains. Novelists put character before plot; poets put dialogue (language) before plot; scriptwriters put story above everything.

If you can write a completely surprising turn that is totally believable, you may be a scriptwriter. If you can tell some friends about an embarrassing scene you had in a restaurant, playing all the characters convincingly and have your friends howling in laughter, you may be a scriptwriter.

If you can spend hours hunched over a keyboard and intermittently weep, cackle, yell bad words, cut out 80 percent of your brilliant work, and then realize you went through lunch and the sun has gone down, you may be a scriptwriter.

Scriptwriting is creating a story that literally becomes real. The word becomes flesh.

Dennis was interviewed by Fred Ash of the Write! Canada PR team.

 

Apr 272013
 
Friday, May 24, 2013
Come for 7:00 p.m. Panel starts at 7:15. Reception to follow.
Tapestry UBC, 3338 Wesbroook Mall (in the new UBC village), Vancouver, BC
 
 
"FAITHFULNESS" IS NO EXCUSE FOR SLOTH:
WHY GOD EXPECTS EXCELLENCE"
 
Moderator: Lesley Bentley
 
In many circles, sometimes especially religious ones, the pursuit of excellence is condemned as elitist, proud, and self-indulgent. Drawing on a range of religious scriptures as well as eastern and western philosophers, John Stackhouse will provide an unapologetic and invigorating theology of excellence while Marc Côtè draws on his background as an editor and publisher of major award (Governor General and Giller) nominated books to discuss the necessity for writers to excel.
 
A reception will follow. This is an optional conference session, and we expect it to sell out. Please register early so that you’re not disappointed. (You don't have to attend the full conference in order to come to this event.) Cost for this event is $45.00.
 
 *As this session might run late, those living outside Vancouver might consider taking a room for the night. UBC houses provides basic rooms from $33 as well as luxurious ones for $200. Check out the possibilities – ubcconferences.com/accommodations. This is Alumni Weekend at UBC, so rooms may be in high demand. An early reservation, should you decide to stay over, is probably essential.
 
 

MARC CÔTĖMARC CÔTÉ

Marc is the owner and publisher of Cormorant Books which is committed to publishing the best new work in the area of literary fiction and creative non-fiction for the adult market. Publishing books is an adventure; it’s an intellectual pursuit without parallel. When a new book arrives from the printer, when an author receives her first glowing review, the hardest of times are forgot. We all live for these moments.

Marc has served on committees or juries for Canada’s most prestigious literary prizes and has edited or published works which have won many awards such as the Governor General’s and Giller.

Marc is also part of the Permission to Write panel during Write! Vancouver conference on Saturday, May 25.

 

John StackhouseJOHN STACKHOUSE

John Stackhouse serves as the Sangwoo Youtong Chee Professor of Theology and Culture at Regent College, Vancouver. Author of seven books (his eighth will be off to the Oxford University Press this summer), editor of four more, and author of more than 500 articles and reviews, he has been featured by media as diverse as ABC TV News, CBC National Radio, the Times Literary Supplement, New York Times, Atlantic Monthly, Time, and the Globe and Mail and National Post. He has lectured at Harvard, Yale, Stanford, Edinburgh, and Fudan universities, among dozens of others, he has received over a dozen research grants, and his writing has been recognized by multiple awards.